C41
Kodak Portra 400
Kodak Portra 400 is a professional C-41 color negative film known for flexible exposure latitude, natural skin tones, and fine grain.
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The Robot Recorder 24E (introduced c. 1972) is a 24x24mm spring-motor 35mm camera produced by Otto Berning & Co. of Dusseldorf, West Germany, representing a significant technical evolution within the Robot Recorder line. Where earlier Recorder models — and all preceding civilian Robots — used a mechanical focal-plane shutter, the 24E incorporated an electronically controlled shutter mechanism. This change was driven by institutional requirements: electronic shutter control allowed more precise integration with external timing systems, remote-trigger electronics, and speed-measurement devices used in traffic enforcement and industrial monitoring.
Reference
Recommended film stocks for the 35mm format your camera takes.
C41
Kodak Portra 400 is a professional C-41 color negative film known for flexible exposure latitude, natural skin tones, and fine grain.
View profile →C41
Kodak Gold 200 is a daylight-balanced C-41 color negative film with warm color, moderate grain, and a classic consumer-film look.
View profile →C41
Kodak UltraMax 400 is a versatile consumer-grade ISO 400 daylight-balanced color negative film with T-grain emulsion, delivering warm Kodak colors, fine-for-speed grain (PGI 46), and wide exposure latitude. Currently in production and available globally as a single-roll and multi-pack.
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Before you buy used
About this camera
The late-model Robot Recorder 24E brought electronic shutter control to Berning's institutional spring-motor camera — bridging the gap between mechanical Robot clockwork and the electronic systems that would eventually replace it.
| Field | Value |
|---|
| Format | 35mm, 24x24mm square (~50 exp per 36-exp roll) |
| Mount | Robot bayonet |
| Years | c. 1972–~ |
| Typical lens | Schneider Xenar 38mm f/2.8 (application-matched) |
| Shutter | Electronic focal-plane; ~up to 1/500s |
| Film advance | Spring motor; remote electrical trigger |
| Meter | None |
| Viewfinder | Minimal or absent (installation camera) |
| Battery | Required (electronic shutter) |
Otto Berning's Robot cameras had served institutional markets since the 1930s — Luftwaffe reconnaissance adaptations, postwar scientific instruments, and from the 1960s onward the dedicated Recorder series built for traffic enforcement and industrial monitoring. Through the 1960s, all Robot shutters were mechanical, triggered either by the photographer's finger or a mechanical cable release.
By the early 1970s, West German traffic authorities and industrial clients were deploying increasingly sophisticated electronic sensor systems — radar speed guns, inductive road loops, light barriers — that needed to trigger cameras via electrical signal rather than mechanical contact. The Robot Recorder 24E was Berning's answer: an electronically triggered shutter that could receive signals from these systems directly.
The 24E arrived around 1972 as German traffic enforcement expanded. German police forces and road authorities were among its primary customers, deploying the cameras in roadside housings alongside radar units. The camera's spring motor handled the mechanical demands of frame advance and shutter cocking; the electronic shutter control handled precise timing.
By the late 1970s and early 1980s, fully electronic cameras with electric film advance were beginning to challenge the spring-motor Robot's institutional dominance. The Robot brand continued under increasingly specialised electronic products, but the spring-motor Recorder era was drawing to a close.
The Robot Recorder 24E sits at a transitional moment in camera history: mechanical spring-motor advance married to electronic shutter control. It illustrates how institutional and industrial camera users drove technical evolution independently of the consumer market — German traffic enforcement cameras were electronically triggered years before electronic controls were standard in consumer 35mm cameras.
For collectors, the 24E is a specialist piece. It is rarer than the mechanical Recorder 24 and requires a working battery for the shutter to function — unlike the mechanical Robots, which operate without any electrical supply. Its interest lies primarily in its institutional history and its place as a late-stage evolution of the spring-motor Robot concept.
The Robot bayonet mount accepts the standard Robot lens family:
C41
Kodak ColorPlus 200 is an affordable, consumer-oriented daylight-balanced color negative film at ISO 200. Known for warm, slightly muted color rendition, fine grain, and wide exposure latitude, it is currently in production and widely available in Asia and select global markets.
View profile →BW
Kodak Tri-X 400 is a classic black-and-white film known for strong tonality, visible grain, and documentary character.
View profile →Robot Recorder 24E
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