C41
Kodak Portra 400
Kodak Portra 400 is a professional C-41 color negative film known for flexible exposure latitude, natural skin tones, and fine grain.
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The Plaubel Veriwide 100, introduced around 1960, is a German-made medium-format viewfinder camera designed exclusively for super-wide-angle photography on 120 film. It produces 8 exposures per roll in the 6x9cm format -- a negative nearly four times the area of 35mm. The camera is built around a fixed, non-interchangeable Schneider-Kreuznach Super-Angulon 47mm f/8 lens, providing an extremely wide angle of view equivalent to roughly 18mm on a 35mm frame. There is no rangefinder; focus is set by scale or zone.
Reference
Recommended film stocks for the — format your camera takes.
C41
Kodak Portra 400 is a professional C-41 color negative film known for flexible exposure latitude, natural skin tones, and fine grain.
View profile →C41
Kodak Portra 160 is a professional C-41 color negative film with fine grain, soft contrast, and natural color.
View profile →C41
Kodak Ektar 100 is a fine-grain C-41 color negative film with saturated color and high sharpness.
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About this camera
A super-wide 6x9 viewfinder camera for 120 film, built around a fixed Schneider Super-Angulon 47mm lens.
| Field | Value |
|---|
| Format | 120, 6x9cm (8 exp per roll) |
| Lens | Schneider-Kreuznach Super-Angulon 47mm f/8 (fixed) |
| Angle of view | ~90 degrees diagonal on 6x9 |
| Years | c. 1960 – c. 1970s |
| Shutter | Synchro-Compur leaf: 1s – 1/400s + B |
| Flash sync | All speeds (leaf shutter) |
| Meter | None |
| Battery | None |
| Viewfinder | Optical, direct, no rangefinder |
| Focus | Scale / zone focus |
Plaubel & Co. of Frankfurt developed the Veriwide 100 as a specialised complement to the Makina line, targeting architectural, interior, and landscape photographers who needed extreme width in a hand-holdable 120 camera. The Super-Angulon 47/8 was one of the widest corrected lenses available for medium-format use at the time, and pairing it with the large 6x9 negative made the Veriwide 100 a technically unusual instrument.
The fixed-lens design, recessed lens board, and bubble level were deliberately engineered for professional work -- primarily architecture -- rather than general use. Production numbers appear to have been modest; the Veriwide 100 was a specialist tool, not a mainstream product. Precise production dates and discontinuation year are poorly documented.
With the sale of the Plaubel brand to Japanese interests in the 1970s and the subsequent rebirth of the Makina name on folding 6x7 cameras, the Veriwide 100 had no successor. The super-wide 6x9 niche was eventually served by cameras such as the Fuji GSW690 series and, in a more restricted format, the Fuji GW670.
For architectural photography, landscape panoramics, and interior photography where a very wide field of view and a large negative are simultaneously required, the Veriwide 100 occupies a narrow but important position. The 6x9 negative with a 47mm lens gives a combination of resolution and angle of view that no 35mm camera could approach before the digital era.
The scale-focus design, while limiting at close distances, is not a handicap for the camera's primary uses: architectural exteriors at 5 metres or beyond are safely rendered sharp at the small apertures (f/11 to f/22) typical of such work. The leaf shutter syncs flash at all speeds, useful for fill-flash on overcast location shoots.
The Veriwide 100 is historically significant as one of the few production medium-format cameras to use the Super-Angulon 47mm before that lens became more widely associated with large-format technical cameras. Its recessed-board approach to accommodating a retrofocus-free wide-angle on roll film influenced subsequent designs.
The lens is fixed and non-interchangeable. Accessories documented or inferred:
BW
Kodak Tri-X 400 is a classic black-and-white film known for strong tonality, visible grain, and documentary character.
View profile →Plaubel Veriwide 100
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