C41
Kodak Portra 400
Kodak Portra 400 is a professional C-41 color negative film known for flexible exposure latitude, natural skin tones, and fine grain.
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The Pentacon FBM is a 35mm single-lens reflex camera introduced around 1958 by what was in transition from Kamera-Werkstätten (KW) to VEB Pentacon -- the state-consolidated East German camera enterprise that absorbed KW and several other Dresden manufacturers in the late 1950s. The FBM designation refers to its flash synchronisation configuration: it carries both X-sync (for electronic flash) and M-sync (for expendable bulbs), hence the "FBM" suffix (Blitz M/X in German nomenclature).
Reference
Recommended film stocks for the 35mm format your camera takes.
C41
Kodak Portra 400 is a professional C-41 color negative film known for flexible exposure latitude, natural skin tones, and fine grain.
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Kodak Tri-X 400 is a classic black-and-white film known for strong tonality, visible grain, and documentary character.
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Kodak Gold 200 is a daylight-balanced C-41 color negative film with warm color, moderate grain, and a classic consumer-film look.
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Before you buy used
About this camera
The camera that carried the Dresden SLR line across the brand transition from KW to Pentacon -- a 1958 M42 body bridging the Praktica and Pentacon eras.
| Field | Value |
|---|
| Format | 35mm (24x36 mm) |
| Mount | M42 (42x1mm screw thread) |
| Introduced | ~1958 |
| Shutter | Horizontal cloth focal-plane: 1s - 1/500s + B |
| Flash sync | X-sync and M-sync |
| Meter | None |
| Exposure | Manual |
| Viewfinder | Eye-level pentaprism |
| Focus | Manual, ground glass |
| Battery | None |
The consolidation of East German camera manufacturing under the VEB (Volkseigener Betrieb -- People's Own Enterprise) system accelerated in the mid-to-late 1950s. KW, Zeiss Ikon's Dresden operations, and other firms were merged and reorganised into VEB Pentacon Dresden, which became the dominant East German camera brand by the late 1950s. The Pentacon FBM emerged during this reorganisation -- it is mechanically a Praktica-series derivative but carries the new Pentacon brand name, signalling the administrative transition.
The Pentacon brand name itself derives from the pentaprism that had become the defining feature of the Dresden SLR line since the early Praktica models. Pentacon would later become internationally known for its six-frame medium-format cameras (the Pentacon Six line) as well as for continuing the M42 SLR range under the Praktica brand in parallel. The FBM sits at the junction of these two naming conventions: a Praktica-lineage body branded as Pentacon.
Production of the FBM was relatively brief, as the early 1960s saw the Dresden SLR line continue to evolve with improved shutter mechanisms and, eventually, the introduction of metered bodies. The FBM is today a rare and primarily collectible camera.
The Pentacon FBM matters primarily as an artefact of the East German camera industry's transition from the prewar and early postwar KW identity to the consolidated Pentacon brand that would represent Dresden cameras internationally through the Cold War. It also represents the point at which the Praktica-lineage cameras began to carry dual flash synchronisation (X and M), making them more versatile for working photographers who used both electronic and expendable flash sources -- a practical professional consideration in the late 1950s.
For collectors, the FBM is a documentation of industrial history: the same body design that traces back to the 1938 Praktiflex, now wearing the brand name that would carry the Dresden tradition through the following three decades.
The Pentacon FBM accepts any M42 lens. The primary lenses of the period were Carl Zeiss Jena Tessar 50/2.8 and Biotar 58/2, and Meyer-Optik Görlitz Primotar 50/3.5 and Domiplan 50/2.8. As with all M42 bodies, lenses from Asahi (Pentax), Mamiya, Fujinon, Vivitar, Soligor, and many other makers are also compatible, giving the camera access to one of the largest used-lens ecosystems in 35mm photography.
BW
Ilford HP5 Plus is a flexible ISO 400 black-and-white film with classic grain and strong push-processing tolerance.
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Kodak Ektar 100 is a fine-grain C-41 color negative film with saturated color and high sharpness.
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