C41
Kodak Portra 400
Kodak Portra 400 is a professional C-41 color negative film known for flexible exposure latitude, natural skin tones, and fine grain.
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The Rolleiflex SL35 (1970) is Rollei's entry into the 35mm SLR market, a significant departure for a company whose reputation rested entirely on the twin-lens reflex tradition established by the Rolleiflex 2.8 series. The SL35 introduces the QBM (Quick Bayonet Mount) — Rollei's proprietary bayonet that would carry the company's SLR lens family through the 1970s and into the 1980s — and announces the SL system's ambition to be taken seriously alongside Nikon, Canon, and Leica R.
Reference
Recommended film stocks for the 35mm format your camera takes.
C41
Kodak Portra 400 is a professional C-41 color negative film known for flexible exposure latitude, natural skin tones, and fine grain.
View profile →BW
Kodak Tri-X 400 is a classic black-and-white film known for strong tonality, visible grain, and documentary character.
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Kodak Gold 200 is a daylight-balanced C-41 color negative film with warm color, moderate grain, and a classic consumer-film look.
Develop 35mm film
Labs in our directory that process 35mm film.
Before you buy used
About this camera
Rollei's first 35mm SLR — the SL35 launched the QBM bayonet mount in 1970 and paired a sharp German body with some of the finest lenses ever made for a 35mm camera, from Zeiss and Schneider.
| Field | Value |
|---|
| Format | 35mm |
| Mount | QBM (Quick Bayonet Mount) |
| Years | 1970–1976 |
| Shutter | 1s – 1/1000s + B, vertical-travel metal blades |
| Flash sync | 1/125s |
| Meter | TTL centre-weighted, EV 3–18 |
| Modes | Manual |
| Viewfinder | Pentaprism, 0.87× |
| Weight | ~700 g (body only) |
| Battery | 1× PX625 (SR44 equivalent for meter; shutter mechanical) |
Rollei's management recognised by the late 1960s that the TLR market was declining and that Japanese competition — particularly Yashica and the Mamiya C-series — had made the 6×6 TLR format less exclusive. A 35mm SLR programme was seen as essential for the company's long-term relevance in the professional and advanced-amateur market.
Rather than licensing or co-developing with a Japanese manufacturer, Rollei chose to build an entirely German SLR system from the ground up. The SL35 body was developed internally; the QBM mount specification was established with Carl Zeiss and Schneider from the outset. The result was a system with no Japanese components and no compromises on German optical quality.
The SL35 was also sold as the Voigtländer VSL 1 — a rebadged variant available through Voigtländer dealers — and later as the Revueflex SL35 through the Foto-Quelle catalogue chain. This cross-branding expanded distribution without modifying the underlying camera.
Subsequent iterations included the SL35M (with aperture-priority automation) and the SL35E (improved finder and metering), both using the same QBM mount and lenses.
The Rolleiflex SL35 represents the pinnacle of West German SLR ambition in the early 1970s: a domestic, fully German alternative to the Japanese SLR hegemony. Its significance today lies less in the body — which is competent but not exceptional by contemporary standards — than in the QBM lens ecosystem it established.
QBM-mount Zeiss and Schneider lenses are among the most optically refined lenses available for any SLR system and remain in demand among lens enthusiasts who adapt them to modern mirrorless cameras. The Planar 50/1.4 T* HFT (the Rollei multi-coating designation), Distagon 28/2.8, and Sonnar 85/1.4 are particularly sought after and can command higher prices than contemporary Nikon AIS or Canon FD equivalents.
For film photographers, the SL35 offers a stylistically distinctive German system at modest used prices for the body, with access to extraordinary optics.
QBM (Quick Bayonet Mount). Zeiss lenses for QBM: Distagon 25/2.8 HFT, Distagon 28/2.8 HFT, Distagon 35/2.8 HFT, Planar 50/1.4 HFT, Planar 50/1.8 HFT, Sonnar 85/1.4 HFT, Sonnar 135/2.8 HFT, Tele-Tessar 200/4 HFT. Schneider lenses: Curtagon 28/2.8, Curtagon 35/2.4, Xenon 50/1.4, Xenar 50/1.8, Xenon 85/1.4, Tele-Xenar 135/3.5. Accessories: Rollei winder / motor drive; Rollei bellows; cable release; interchangeable focusing screens.
BW
Ilford HP5 Plus is a flexible ISO 400 black-and-white film with classic grain and strong push-processing tolerance.
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Kodak Ektar 100 is a fine-grain C-41 color negative film with saturated color and high sharpness.
View profile →Rollei SL35
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