C41
Kodak Portra 400
Kodak Portra 400 is a professional C-41 color negative film known for flexible exposure latitude, natural skin tones, and fine grain.
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The Bronica ETRC (introduced ~1978) is a simplified variant of the Bronica ETR designed to reduce cost by eliminating the interchangeable film back. Where the ETR, ETRS, and ETRSi feature detachable backs that can be swapped mid-roll, the ETRC has a fixed integral back that accepts only 120 film. This makes the ETRC lighter and less expensive to produce and purchase, while retaining the same Bronica ETR bayonet lens mount and full compatibility with the entire Zenzanon-E and Zenzanon-PE lens lineup.
Reference
Recommended film stocks for the — format your camera takes.
C41
Kodak Portra 400 is a professional C-41 color negative film known for flexible exposure latitude, natural skin tones, and fine grain.
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Kodak Portra 160 is a professional C-41 color negative film with fine grain, soft contrast, and natural color.
View profile →C41
Kodak Ektar 100 is a fine-grain C-41 color negative film with saturated color and high sharpness.
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Before you buy used
About this camera
The simplified ETR: a fixed-back 645 SLR that traded modular film backs for a lower price, keeping the same Zenzanon ETR lens mount and leaf-shutter optics.
| Field | Value |
|---|
| Format | 120 only (6x4.5 cm, ~15 frames) |
| Mount | Bronica ETR bayonet |
| Years | ~1978 – early 1980s |
| Shutter | Seiko leaf in lens: 8s – 1/500s + B |
| Flash sync | All speeds (leaf shutter) |
| Meter | None built-in |
| Modes | Manual |
| Finder | Waist-level (standard) |
| Weight | ~ (unverified) |
| Battery | Not required (body fully mechanical) |
Bronica introduced the ETR in 1976 as a modular 6x4.5 system. The ETRC followed approximately two years later as a cost-reduced variant, concurrent with or shortly before the introduction of the more capable ETRS (1979). The ETRC occupied the bottom of the ETR product range: fully functional for 120 film, compatible with all ETR lenses and waist-level or prism finders, but without the ability to swap backs mid-roll or use 220 film backs, Polaroid backs, or the 35mm panoramic back.
The ETRC was not updated in the same way as the ETRS (which received the ETRSi revision in 1989). It was a market-positioning product rather than a platform for ongoing development, and was discontinued before the ETRSi era.
The ETRC is the most affordable entry point into the Bronica ETR lens ecosystem. All Zenzanon-E and Zenzanon-PE lenses produced for the ETR system function on the ETRC in manual mode, giving access to one of the most complete medium-format 645 lens lineups outside of Mamiya and Hasselblad. For photographers who shoot exclusively on 120 rolls and have no need to swap backs, the ETRC's limitations are largely invisible in practice.
The absence of modular backs does close off some workflows: no mid-roll back swap for a different film stock, no Polaroid proofing, no 220 film. Studio photographers who relied on these features had reason to pay the premium for an ETR or ETRS. Outdoor, portrait, and documentary photographers working sequentially through rolls found the ETRC entirely sufficient.
For 2026 buyers, the ETRC can be found at lower prices than equivalent-condition ETR or ETRS bodies, and the savings are meaningful. Its lack of desirability on the used market is a buyer's advantage.
Bronica ETR bayonet mount. Full compatibility with all Zenzanon-E and Zenzanon-PE lenses: 40/4 E, 50/2.8 E, 60/3.5 E, 75/2.8 PE, 100/2.8 PE, 105/3.5 MC, 150/3.5 PE, 200/4.5 PE, 250/5.6 PE. The PE-series lenses with AE coupling do not provide aperture-priority automation on the ETRC body itself — AE requires a compatible metered prism finder. Accessories: waist-level finder; 45-degree prism; AE-III metered prism (with PE lenses for aperture-priority); Motor Winder E (if applicable — verify compatibility with fixed-back variant); extension tubes.
Film backs are not interchangeable on the ETRC. The camera accepts only 120 roll film loaded directly into the fixed back.
BW
Ilford HP5 Plus is a flexible ISO 400 black-and-white film with classic grain and strong push-processing tolerance.
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Kodak Tri-X 400 is a classic black-and-white film known for strong tonality, visible grain, and documentary character.
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