C41
Kodak Portra 400
Kodak Portra 400 is a professional C-41 color negative film known for flexible exposure latitude, natural skin tones, and fine grain.
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The Bronica S, introduced around 1961, was Zenza Bronica's second production 6x6 cm SLR, replacing the earlier Bronica D. It retained the fundamental design philosophy of its predecessor - a body-integral focal-plane shutter accepting Nikkor-derived lenses without individual shutter mechanisms - while addressing the mechanical reliability issues and rough edges that had limited the D's appeal. The S is the camera that solidified Bronica's reputation as a serious medium-format alternative to Hasselblad. It introduced interchangeable film magazines, a significant step up from the D's fixed back, which allowed in-field film changing and made the camera genuinely usable for professional assignment work.
Reference
Recommended film stocks for the — format your camera takes.
C41
Kodak Portra 400 is a professional C-41 color negative film known for flexible exposure latitude, natural skin tones, and fine grain.
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Kodak Portra 160 is a professional C-41 color negative film with fine grain, soft contrast, and natural color.
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Kodak Ektar 100 is a fine-grain C-41 color negative film with saturated color and high sharpness.
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Before you buy used
About this camera
The refined successor to the Bronica D - a 6x6 focal-plane SLR that turned a working prototype idea into a reliable system camera.
| Field | Value |
|---|
| Format | 120 film, 6x6 cm (12 exposures) |
| Mount | Bronica S bayonet (Nikkor-adapted) |
| Years | ~1961 – ~1965 |
| Shutter | Focal-plane, rubberized cloth, 1s - 1/1000s + B |
| Flash sync | ~1/30s |
| Meter | None (separate meter required) |
| Modes | Manual only |
| Finder | Waist-level finder (ground glass); prism available |
| Focus | Manual, ground glass |
| Battery | None required |
The Bronica S followed directly from the D, incorporating lessons from limited D production and early-adopter feedback. The most consequential mechanical change was the addition of an interchangeable 120 film magazine, separating the film transport from the body proper - a system that made it possible to switch between film stocks mid-roll and aligned Bronica closer to Hasselblad's modular approach. The S also refined the focal-plane shutter mechanism for improved speed accuracy and curtain reliability, which had been a criticism of the D. The Nikkor-compatible bayonet mount was retained, and the lens lineup grew over the S's production run to include a wider range of focal lengths. The S was eventually superseded by the Bronica S2 and S2A, which added further refinements. The S2A remained in production into the late 1960s and is the more commonly encountered early Bronica on the used market today.
The Bronica S was the model that established Bronica as a commercially viable alternative to Hasselblad in the 1960s Japanese and international professional market. By adding interchangeable backs, the S addressed the most significant practical objection to the D as a working camera, not merely a collector's curiosity. The focal-plane shutter design, still unconventional in medium format, gave the system a meaningful advantage in high-shutter-speed action use and kept lens costs lower than comparable leaf-shutter systems. The S also helped validate the Japanese precision optical industry in medium format, demonstrating that domestically produced equipment could compete at a professional level. For collectors, the S occupies an important transitional position in the Bronica lineage between the rare D prototype-era cameras and the more widely available S2A, EC, and later ETR/SQ series.
Native mount: Bronica S bayonet. Compatible lenses included Nikkor-designed optics covering focal lengths from approximately 40mm wide-angle through 200mm and longer telephotos. Because the shutter is body-integral, lens barrels contain only optical elements and aperture control, making them simpler and lighter than contemporary leaf-shutter lenses. The standard shooting configuration used a waist-level finder with ground glass; an eye-level prism finder was also available. Interchangeable 120 film magazines are the S's most important accessory and should be tested carefully for light-tightness before use.
BW
Ilford HP5 Plus is a flexible ISO 400 black-and-white film with classic grain and strong push-processing tolerance.
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Kodak Tri-X 400 is a classic black-and-white film known for strong tonality, visible grain, and documentary character.
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