C41
Kodak Portra 400
Kodak Portra 400 is a professional C-41 color negative film known for flexible exposure latitude, natural skin tones, and fine grain.
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slr-medium-format
The RZ67 (1982) is Mamiya's electronic 6×7 SLR — a same-form-factor sibling to the RB67 with electronically governed Seiko leaf shutters in each lens, optional aperture-priority autoexposure via an AE prism finder, and (in later Pro II / Pro IID variants) electronic film advance and digital-back compatibility. Same rotating film back as the RB67 (rotate the magazine, not the camera, for portrait/landscape orientation).
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Recommended film stocks for the — format your camera takes.
C41
Kodak Portra 400 is a professional C-41 color negative film known for flexible exposure latitude, natural skin tones, and fine grain.
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Kodak Portra 160 is a professional C-41 color negative film with fine grain, soft contrast, and natural color.
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Kodak Ektar 100 is a fine-grain C-41 color negative film with saturated color and high sharpness.
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About this camera
The RB67's electronic younger sibling. Same rotating back, same 6×7 negative, but with electronic shutter, AE, and digital-back compatibility.
| Field | Value |
|---|
| Format | 120 / 220, 6×7 cm (10 frames per 120 roll) |
| Mount | Mamiya RZ (different from RB) |
| Years | 1982–2014 (Pro / Pro II / Pro IID) |
| Shutter | 8s – 1/400s, Seiko electronic leaf, in each lens |
| Flash sync | All speeds |
| Meter | TTL via AE prism finder |
| Modes | Manual, aperture-priority (AE prism) |
| Weight | 2,400 g |
| Battery | 1× 6V silver oxide (4SR44 / 4LR44) |
Released 1982 as Mamiya's modernization of the RB67. Major variants:
Production ran 32 years until 2014 when Mamiya (then merged with Phase One) ended film-camera production.
For studio fashion and product work in the 1990s and 2000s, the RZ67 was the camera. Tethered to softboxes and Mac G4s running Capture One, with a Phase One P25/P45 digital back attached, it became a hybrid film/digital body — shoot Polaroids and digital tethered for proofing, then 120 film for final captures. The electronic shutter timing meant exposures matched flash output exactly; the rotating back made vertical-format fashion editorials trivial.
The RZ67 is the body Annie Leibovitz, Mario Testino, Steven Meisel, Mert and Marcus, and David Sims have all used in their studio careers. It's the workhorse of the late film-photography studio era.
Mamiya-Sekor Z lenses (different from RB-mount; RZ lenses don't fit RB bodies and vice versa). Common: 110mm f/2.8, 90mm f/3.5 W, 65mm f/4 L-A, 50mm f/4.5 W, 180mm f/4.5 W, 250mm f/4.5 APO. AE prism finder (PD II), waist-level finder, magnifier finder. Polaroid back, 120 back, 220 back, 6×4.5 back, digital back adapter (Pro IID).
BW
Ilford HP5 Plus is a flexible ISO 400 black-and-white film with classic grain and strong push-processing tolerance.
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Kodak Tri-X 400 is a classic black-and-white film known for strong tonality, visible grain, and documentary character.
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