C41
Kodak Portra 400
Kodak Portra 400 is a professional C-41 color negative film known for flexible exposure latitude, natural skin tones, and fine grain.
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The Rolleicord III (introduced 1950) is the first Rolleicord model to incorporate flash synchronization, a significant practical upgrade over its prewar predecessors that reflected the rapid adoption of electronic flash equipment in postwar photography. It was offered with either a **Schneider-Kreuznach Xenar 75mm f/3.5** four-element Tessar-type taking lens or a **Zeiss Triotar 75mm f/3.5** three-element triplet, depending on the buyer's budget. The Synchro-Compur shutter provided both X-sync (electronic flash) and M-sync (bulb flash) contacts, extending the camera's usefulness into studio and indoor work. Like all Rolleicords, it used a knob film advance, a waist-level finder, and produced 12 exposures of 6x6 cm on 120 roll film.
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Recommended film stocks for the — format your camera takes.
C41
Kodak Portra 400 is a professional C-41 color negative film known for flexible exposure latitude, natural skin tones, and fine grain.
View profile →BW
Kodak Tri-X 400 is a classic black-and-white film known for strong tonality, visible grain, and documentary character.
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Ilford HP5 Plus is a flexible ISO 400 black-and-white film with classic grain and strong push-processing tolerance.
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About this camera
The first postwar Rolleicord with flash sync: a refined 6x6 TLR that carried the line into the 1950s.
| Field | Value |
|---|
| Format | 120 (6x6 cm) |
| Taking lens | Schneider Xenar 75mm f/3.5 or Zeiss Triotar 75mm f/3.5 |
| Viewing lens | ~ |
| Years | 1950 - ~ |
| Shutter | 1s - 1/500s + B, Synchro-Compur leaf |
| Flash sync | X and M sync |
| Meter | None |
| Film advance | Knob |
Following the disruption of World War II, Rollei resumed production at the Braunschweig factory and worked to modernize the Rolleicord line. The Rolleicord II had been the last prewar variant; the III was the postwar successor, bringing the body design closer to the contemporary Rolleiflex standard while retaining the cost-saving measures -- knob advance, simpler viewing optics -- that kept the Rolleicord below the Rolleiflex in price and positioning. The addition of the Synchro-Compur shutter with dual sync contacts was the most meaningful functional improvement over the II. The III was succeeded by the Rolleicord IV, which introduced further refinements to the body and film transport.
The Rolleicord III marks the point at which the Rolleicord line became a fully modern postwar camera rather than a pre-flash-era holdover. Flash sync had become a practical requirement for any camera sold into portrait and wedding photography by 1950, and the III's Synchro-Compur ensured that Rolleicord users could work alongside photographers using Rolleiflex bodies without a meaningful functional disadvantage for most assignments.
The Xenar-equipped version delivered image quality closely comparable to the Rolleiflex's Tessar at equivalent apertures, which reinforced the Rolleicord's position as the sensible alternative to the more expensive body. For photographers who did not require the faster crank advance of the Rolleiflex and were willing to accept the knob transport, the III was a credible professional tool.
C41
Kodak Portra 160 is a professional C-41 color negative film with fine grain, soft contrast, and natural color.
View profile →Rollei Rolleicord III
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