C41
LOMO Negative 400
Lomography Color Negative 400 is a versatile ISO 400 C-41 color negative film with vivid, saturated colors, believed to be a Kodak Alaris-manufactured emulsion, available in 35mm and 120 formats.
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The Agfa Box 44 is a German consumer box camera introduced in 1937 by Agfa (Aktiengesellschaft fur Anilin-Fabrikation), shooting 120 roll film and producing 6x9 cm negatives at 8 exposures per roll. It represents the mature form of the European consumer box camera: a simple fixed-focus, fixed-exposure instrument in a Bakelite and leatherette body, designed for amateur family photography at minimal cost.
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C41
Lomography Color Negative 400 is a versatile ISO 400 C-41 color negative film with vivid, saturated colors, believed to be a Kodak Alaris-manufactured emulsion, available in 35mm and 120 formats.
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Lomography Color Negative 800 is a high-speed ISO 800 C-41 color negative film widely suspected to be a Kodak-manufactured emulsion, delivering vibrant colors and adequate grain for challenging lighting conditions.
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About this camera
A prewar German Bakelite box camera that brought 6x9 photography to the mass consumer market at the price of a cinema ticket.
| Field | Value |
|---|
| Format | 120 film, 6x9 cm (~8 exposures per roll) |
| Mount | Fixed (non-interchangeable) |
| Year introduced | 1937 |
| Lens | Single achromat, ~100mm, ~f/11-f/16 |
| Shutter | Leaf: ~1/25s + B |
| Flash sync | None on base model |
| Meter | None |
| Focus | Fixed (hyperfocal) |
| Battery | None |
| Viewfinders | Two brilliant finders (landscape + portrait) |
Agfa introduced its first consumer box cameras in the late 1920s and refined the line steadily through the 1930s. The Box 44 appeared in 1937 as part of a rationalised product lineup intended to compete with Kodak's Brownie range and other low-cost European competitors including Voigtlander and Zeiss Ikon consumer lines.
Production was interrupted by World War II. Agfa's main manufacturing facilities in Leverkusen and Munich were disrupted or requisitioned during the war, but box camera production resumed in West Germany during the late 1940s and early 1950s. The postwar Agfa box camera family -- which included the well-known Agfa Clack (1954) and various Synchro Box variants -- evolved from the prewar Box 44 design and continued in production until the late 1950s.
The 6x9 format produced a large negative well-suited to contact printing, which remained a common amateur practice through the 1950s before enlargers became affordable. For consumers without an enlarger, a large negative meant a good print from a drugstore photofinisher without needing optical enlargement.
The Agfa Box 44 is representative of the European tradition of mass-market consumer photography in the 1930s -- a tradition largely parallel to and independent of the American Kodak Brownie line. German industrial design and precision manufacturing gave even simple consumer cameras a certain robustness and functionality: the dual viewfinder arrangement, for example, is a more thoughtful design feature than many equivalent Kodak box cameras of the same era provided.
The camera is also a minor artifact of Weimar-era and early Third Reich German consumer culture. Agfa's marketing positioned box cameras as gifts for children and for women -- the same demographic Kodak targeted with the Brownie. Surviving Agfa Box 44 examples in original condition, complete with cases and Agfa-branded film canisters, are sought by collectors interested in prewar German consumer goods as well as by photographers who enjoy shooting 120 cameras.
Kodak Gold 200 is a daylight-balanced C-41 color negative film with warm color, moderate grain, and a classic consumer-film look.
C41
Kodak Portra 400 is a professional C-41 color negative film known for flexible exposure latitude, natural skin tones, and fine grain.
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Kodak Tri-X 400 is a classic black-and-white film known for strong tonality, visible grain, and documentary character.
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