C41
LOMO Negative 400
Lomography Color Negative 400 is a versatile ISO 400 C-41 color negative film with vivid, saturated colors, believed to be a Kodak Alaris-manufactured emulsion, available in 35mm and 120 formats.
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The Whitehouse Beacon II is a fixed-focus, fixed-exposure box camera manufactured by Whitehouse Products of Brooklyn, New York, introduced around 1950. It uses 127 roll film and produces 1-5/8 x 2-1/2 inch (~4 x 6.5 cm) negatives, eight exposures per roll. The body is molded from Bakelite in a compact form factor -- considerably smaller than the Kodak Brownie Hawkeye -- with a single meniscus lens, a rotary shutter offering one fixed instantaneous speed and a Bulb setting, and a simple brilliant viewfinder positioned above the lens.
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C41
Lomography Color Negative 400 is a versatile ISO 400 C-41 color negative film with vivid, saturated colors, believed to be a Kodak Alaris-manufactured emulsion, available in 35mm and 120 formats.
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Lomography Color Negative 800 is a high-speed ISO 800 C-41 color negative film widely suspected to be a Kodak-manufactured emulsion, delivering vibrant colors and adequate grain for challenging lighting conditions.
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About this camera
A compact Bakelite 127 box camera from Brooklyn, built for postwar American family snapshots.
| Field | Value |
|---|
| Format | 127 film, ~4 x 6.5 cm (8 exp per roll) |
| Mount | Fixed (non-interchangeable) |
| Years | ~1950-1956 |
| Lens | Single meniscus element |
| Shutter | Rotary: ~1/50s + B |
| Flash sync | None |
| Meter | None |
| Focus | Fixed (hyperfocal) |
| Battery | None |
| Viewfinder | Brilliant (reflecting) finder |
Whitehouse Products entered the consumer camera market in the late 1940s with a series of small Bakelite box cameras targeting the 127 film format. The 127 format -- introduced by Kodak in 1912 for the Vest Pocket Kodak -- was by the late 1940s a well-established but secondary format, smaller than 120/620 and producing a larger negative than 35mm. It occupied a niche in the American market for compact, affordable cameras that yielded prints suitable for wallet photographs and small enlargements.
The original Beacon used a similar construction to the Beacon II; the II designation reflects minor refinements to the shutter mechanism and body tooling. Both share the same fundamental Bakelite shell design and optical configuration. By the mid-1950s, Whitehouse updated the line with the Beacon 225, which introduced PC flash synchronization in response to the growing consumer use of flashbulb equipment.
Production of the Beacon II appears to have ended by the mid-1950s, though exact discontinuation dates for Whitehouse models are not well-documented in the historical record. Whitehouse Products ceased operation as an independent camera manufacturer by the early 1960s, as the American low-cost camera market consolidated around Kodak and imported Japanese products.
The Whitehouse Beacon II is a minor but representative example of the postwar American budget camera industry. The United States briefly supported several small domestic camera manufacturers -- Whitehouse, Utility (makers of the Falcon), Ansco (a Binghamton, NY firm) -- in the years between the end of World War II and the rise of Japanese camera imports. Most of these companies disappeared or were absorbed by the mid-1960s.
The Beacon II is valued by 127 format shooters today because 127 film is still produced in small quantities by Rera Pan, Rollei, and a handful of specialty manufacturers, making the camera genuinely usable. The compact Bakelite body and soft meniscus lens produce images with the same period quality associated with Holgas and Dianas, but in a format that predates the toy camera revival by decades.
Kodak Gold 200 is a daylight-balanced C-41 color negative film with warm color, moderate grain, and a classic consumer-film look.
C41
Kodak Portra 400 is a professional C-41 color negative film known for flexible exposure latitude, natural skin tones, and fine grain.
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Kodak Tri-X 400 is a classic black-and-white film known for strong tonality, visible grain, and documentary character.
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