C41
LOMO Negative 400
Lomography Color Negative 400 is a versatile ISO 400 C-41 color negative film with vivid, saturated colors, believed to be a Kodak Alaris-manufactured emulsion, available in 35mm and 120 formats.
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The Fuji Fujipet (1957) is a 120-roll-film box camera produced by Fuji Photo Film Co. (later Fujifilm) and designed for the mass Japanese consumer market of the late 1950s. Built from Bakelite in a boxy, rounded form, the Fujipet produces 6×6cm square negatives on 120 film, yielding 12 exposures per roll. It is a fixed-focus, fixed-exposure camera — there is no metering, no focusing adjustment, and only a single shutter speed — making it accessible to complete beginners.
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C41
Lomography Color Negative 400 is a versatile ISO 400 C-41 color negative film with vivid, saturated colors, believed to be a Kodak Alaris-manufactured emulsion, available in 35mm and 120 formats.
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Lomography Color Negative 800 is a high-speed ISO 800 C-41 color negative film widely suspected to be a Kodak-manufactured emulsion, delivering vibrant colors and adequate grain for challenging lighting conditions.
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About this camera
The Fuji Fujipet is a cheerful Japanese Bakelite box camera for 120 film — a simple, colorful snapshot camera of the late 1950s that brought 6×6 photography to budget-conscious Japanese families and represents the toy-camera tradition before Lomography existed.
| Field | Value |
|---|
| Format | 120 film, 6×6cm (12 exposures) |
| Mount | Fixed (non-interchangeable) |
| Years | 1957–1964 |
| Lens | Fujinar 65mm f/8 (single element) |
| Shutter | Fixed leaf: ~1/25s + B |
| Flash sync | PC socket, ~1/25s |
| Meter | None |
| Focus | Fixed (hyperfocal ~2m–∞) |
| Battery | None |
Fuji Photo Film introduced the Fujipet in 1957 as part of a wave of affordable Japanese consumer cameras targeting the growing domestic market. Japan's postwar economic recovery was well underway by the mid-1950s, and consumer goods manufacturers were designing products for the newly emerging middle class. The Fujipet competed with similar Bakelite box cameras from other Japanese manufacturers and with the imported Hong Kong-made Diana.
The camera was sold through department stores, pharmacies, and general goods shops across Japan — retail channels accessible to consumers who would never visit a specialist camera shop. Fuji's film brand made the combination particularly natural: a Fujipet came with a roll of Fuji film, and subsequent purchases directed customers back to Fuji's film products.
Production continued through the early 1960s with minor variants, including the Fujipet EE (which added a basic automatic exposure system) and the Fujipet Six. The basic Fujipet was discontinued as the 35mm camera market expanded in the mid-1960s.
The Fuji Fujipet predates the Lomographic toy-camera movement by decades and represents the original Japanese consumer toy camera tradition. The colored Bakelite bodies make these cameras highly collectible as design objects, and the 6×6 format on 120 film produces surprisingly workable negatives in good light given the camera's simple lens. For collectors interested in postwar Japanese consumer culture or the pre-Lomo toy-camera tradition, the Fujipet is an accessible and charming example.
Fixed Fujinar 65mm f/8 single-element lens; non-interchangeable. Flash synchronisation via PC socket accepts standard flash bulbs of the period. No filter thread. Accessories were limited to cases and colored lens caps matched to body color variants.
Kodak Gold 200 is a daylight-balanced C-41 color negative film with warm color, moderate grain, and a classic consumer-film look.
C41
Kodak Portra 400 is a professional C-41 color negative film known for flexible exposure latitude, natural skin tones, and fine grain.
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Kodak Tri-X 400 is a classic black-and-white film known for strong tonality, visible grain, and documentary character.
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