C41
LOMO Negative 400
Lomography Color Negative 400 is a versatile ISO 400 C-41 color negative film with vivid, saturated colors, believed to be a Kodak Alaris-manufactured emulsion, available in 35mm and 120 formats.
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The Kodak No. 2 Brownie is a fixed-focus, fixed-exposure cardboard box camera introduced by Eastman Kodak in 1901. It was the second model in the Brownie line and the camera that established 120 roll film as a standard medium-format film size -- a format still produced commercially today. The No. 2 produces 2-1/4 x 3-1/4 inch (roughly 6 x 8.25 cm) negatives, six exposures per roll.
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C41
Lomography Color Negative 400 is a versatile ISO 400 C-41 color negative film with vivid, saturated colors, believed to be a Kodak Alaris-manufactured emulsion, available in 35mm and 120 formats.
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Lomography Color Negative 800 is a high-speed ISO 800 C-41 color negative film widely suspected to be a Kodak-manufactured emulsion, delivering vibrant colors and adequate grain for challenging lighting conditions.
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About this camera
The dollar-era box camera that introduced 120 film and made amateur photography a mass-market habit.
| Field | Value |
|---|
| Format | 120 film, ~6 x 8.25 cm (6 exposures per roll) |
| Mount | Fixed (non-interchangeable) |
| Years | 1901-1935 |
| Lens | Single meniscus element, ~100mm equivalent |
| Shutter | Rotary sector: ~1/25s + B |
| Flash sync | None |
| Meter | None |
| Focus | Fixed (hyperfocal) |
| Battery | None |
| Viewfinder | Brilliant (reflecting) finder |
George Eastman and Kodak designer Frank Brownell launched the original one-dollar Brownie camera in February 1900, aimed explicitly at children and working-class families who had previously been locked out of photography by cost and complexity. The original Brownie used 117 roll film and produced 2-1/4 x 2-1/4 inch square frames. It was marketed directly to children in school publications and toy shops.
The No. 2 Brownie arrived in 1901 as a scaled-up sibling, introducing 120 film -- a new Kodak roll film format that produced a slightly rectangular frame more suited to the horizontal compositions favored by snapshot photographers. The 120 spool dimensions Kodak set in 1901 became one of the most durable standards in photography history; the format is still manufactured and shot widely today, more than a century later.
The No. 2 was produced across multiple construction runs through the 1920s and into the early 1930s. Variants differ in leatherette color and texture, viewfinder placement, and minor metalwork detail. By 1935, the 120 box camera market had shifted to newer folding designs and the updated Six-20 line.
The No. 2 Brownie's primary historical significance is its introduction of 120 film. That format went on to be adopted by every major medium-format camera maker -- Hasselblad, Rolleiflex, Mamiya, Bronica -- and remains in regular production today. Kodak's decision to make the spool dimensions freely available rather than proprietary (unlike some later Kodak formats such as 620 and 616) ensured the format outlasted the company's own dominance.
The Brownie line more broadly, with the No. 2 as its most widely sold model for much of the Edwardian period, established the business model of cheap cameras subsidized by proprietary consumables. This model defined consumer photography for most of the twentieth century and still shapes how smartphone manufacturers structure camera hardware and cloud storage today.
Kodak Gold 200 is a daylight-balanced C-41 color negative film with warm color, moderate grain, and a classic consumer-film look.
C41
Kodak Portra 400 is a professional C-41 color negative film known for flexible exposure latitude, natural skin tones, and fine grain.
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Kodak Tri-X 400 is a classic black-and-white film known for strong tonality, visible grain, and documentary character.
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