C41
LOMO Negative 400
Lomography Color Negative 400 is a versatile ISO 400 C-41 color negative film with vivid, saturated colors, believed to be a Kodak Alaris-manufactured emulsion, available in 35mm and 120 formats.
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The Lomography Fisheye No.1 (2006) is a 35mm point-and-shoot toy camera built around a fixed-focus 170-degree circular fisheye lens. Unlike rectilinear ultrawide lenses that attempt to correct barrel distortion, the Fisheye No.1's lens embraces extreme distortion as its primary aesthetic: the lens projects a circular fisheye image onto the 35mm frame, producing heavy vignetting toward the corners and a round, bubble-like field of view that encompasses nearly the full hemisphere in front of the camera.
Reference
Recommended film stocks for the 35mm format your camera takes.
C41
Lomography Color Negative 400 is a versatile ISO 400 C-41 color negative film with vivid, saturated colors, believed to be a Kodak Alaris-manufactured emulsion, available in 35mm and 120 formats.
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Lomography Color Negative 800 is a high-speed ISO 800 C-41 color negative film widely suspected to be a Kodak-manufactured emulsion, delivering vibrant colors and adequate grain for challenging lighting conditions.
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Before you buy used
About this camera
The Lomography Fisheye No.1 puts a radical 170-degree circular fisheye lens into an affordable plastic body — producing round vignetting, extreme barrel distortion, and a surreal wide-angle aesthetic that became one of Lomography's most recognizable camera designs.
| Field | Value |
|---|
| Format | 35mm (24×36mm) |
| Mount | Fixed (non-interchangeable) |
| Year | 2006–present |
| Lens | Fisheye 10mm (approx), 170° circular field of view |
| Shutter | Fixed ~1/100s |
| Aperture | Fixed ~f/8 |
| Flash | None |
| Meter | None |
| Focus | Fixed (hyperfocal, ~1m to infinity) |
| Battery | None |
| Recommended film | ISO 100–400 |
Lomography Society International launched the Fisheye No.1 as part of its expanding product line of purpose-built Lomographic cameras. The concept followed the success of the original Lomo LC-A and Diana F+ and was designed to give photographers a dedicated fisheye tool at a fraction of the cost of a professional fisheye lens on a conventional SLR.
The 170-degree field of view was chosen to maximize the circular fisheye effect, and the plastic construction kept the retail price accessible — the camera was sold globally through Lomography's stores and online shop. A successor, the Fisheye No.2 (2007), added a built-in flash and a slight refinement to the body design, making the original No.1 the purer, more minimal of the two versions.
The Lomography Fisheye No.1 is notable as a democratizer of circular fisheye photography. Before affordable fisheye toys, achieving this look required expensive fisheye lenses (typically $300–$1000+) on conventional SLRs. The Fisheye No.1 delivered the aesthetic at a fraction of the cost, introducing a generation of photographers to extreme wide-angle distortion as a creative tool rather than a technical defect.
The fisheye lens is fixed and non-interchangeable. Lomography offers an accessory flash unit and colored gel covers compatible with many of its cameras; the Fisheye No.1 lacks a hot shoe, so external flash units attach via the cold-shoe mount only.
Kodak Gold 200 is a daylight-balanced C-41 color negative film with warm color, moderate grain, and a classic consumer-film look.
C41
Kodak Portra 400 is a professional C-41 color negative film known for flexible exposure latitude, natural skin tones, and fine grain.
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Kodak Tri-X 400 is a classic black-and-white film known for strong tonality, visible grain, and documentary character.
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