C41
LOMO Negative 400
Lomography Color Negative 400 is a versatile ISO 400 C-41 color negative film with vivid, saturated colors, believed to be a Kodak Alaris-manufactured emulsion, available in 35mm and 120 formats.
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The Lomography Fisheye Baby 110 (2010) is a 110-format fixed-focus fisheye camera. It is one of the smallest film cameras producing circular fisheye images — the diminutive 110 cartridge format and compact plastic body create a genuinely pocketable camera that shoots dramatically distorted, barrel-curved images on 13×17mm 110 frames.
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C41
Lomography Color Negative 400 is a versatile ISO 400 C-41 color negative film with vivid, saturated colors, believed to be a Kodak Alaris-manufactured emulsion, available in 35mm and 120 formats.
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Lomography Color Negative 800 is a high-speed ISO 800 C-41 color negative film widely suspected to be a Kodak-manufactured emulsion, delivering vibrant colors and adequate grain for challenging lighting conditions.
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About this camera
The smallest fisheye camera in the world when launched — the Lomography Fisheye Baby 110 delivered circular fisheye distortion on 110 cartridge film in a body small enough to fit in a jeans coin pocket.
| Field | Value |
|---|
| Format | 110 cartridge (13×17mm frames) |
| Mount | Fixed (non-interchangeable) |
| Years | 2010–present |
| Shutter | Leaf, fixed: ~1/100s |
| Flash sync | Cold shoe (no sync on base model) |
| Meter | None |
| Exposure | Fixed program (ISO 200 daylight recommended) |
| Viewfinder | Optical frame |
| Focus | Fixed (hyperfocal, ~0.5m to infinity) |
| Battery | None |
The 110 format was invented by Kodak in 1972 as a successor to the 126 Instamatic system, offering a smaller cartridge suitable for even more compact camera designs. Kodak Instamatic 110 cameras were mass-market pocket cameras through the 1970s; Pentax and other manufacturers produced higher-quality 110 SLR and compact cameras for enthusiasts.
By the 2000s, mainstream 110 film production had largely ceased, but Lomography and a few specialist suppliers (including Kodak's occasional 110 releases) maintained the format's availability. Lomography launched the Fisheye Baby 110 in 2010 as part of its strategy of keeping unusual film formats alive through new camera designs that created demand for the film. The camera's extreme fisheye optics and tiny size gave 110 film a new identity — not as a budget compromise but as a creative choice for deliberately distorted, miniature-format imagery.
The Fisheye Baby joined the Fisheye No. 1 and Fisheye 2 (both 35mm) in Lomography's fisheye line, offering photographers the choice of format alongside the shared aesthetic.
The Fisheye Baby 110 matters partly for keeping the 110 format alive and partly for demonstrating that film photography's revival could extend to unusual, niche formats rather than just mainstream 35mm and 120. Its circular fisheye aesthetic — maximally distorted, everything-in-focus, miniature-format — is entirely unlike any other photographic rendering, and the camera's small size means it goes everywhere a photographer goes. For Lomography's mission of creative analogue photography, the Fisheye Baby 110 is a concentrated expression of the brand's values.
Fixed fisheye lens (approximately 6mm focal length equivalent to ~170° angle of view on 110 format). Non-interchangeable. Lomography 110 film: Color Tiger 200, Lady Grey 400 B&W, Peacock 100. Accessories: carrying strap, coloured body editions.
Kodak Gold 200 is a daylight-balanced C-41 color negative film with warm color, moderate grain, and a classic consumer-film look.
C41
Kodak Portra 400 is a professional C-41 color negative film known for flexible exposure latitude, natural skin tones, and fine grain.
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Kodak Tri-X 400 is a classic black-and-white film known for strong tonality, visible grain, and documentary character.
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