Rendering profile
- Tags
- infrared, panchromatic, aerial-stock, haze-cutting
- Best use cases
- landscape infrared, aerial-style, haze penetration, B&W creative
REFLX LAB PAN200 Infrared is an ISO 200 panchromatic B&W negative film in 120/220 format, respooled from Agfa Aviphot Pan 200 aerial/surveillance film. Sensitive into the near-infrared (up to ~750nm), it delivers enhanced contrast, haze penetration, and glowing foliage under IR filters.
Key specs
Grain
fine-medium
Contrast
medium-high
Saturation
Unknown
Latitude
moderate
REFLX LAB PAN200 Infrared is sourced from Agfa Aviphot Pan 200—originally engineered for aerial mapping, surveillance, and reconnaissance applications—and repackaged into 120 and 220 medium-format rolls by REFLX LAB. The emulsion extends spectral sensitivity into the near-infrared (~750nm), enabling subtle to moderate infrared effects when used with red or IR72 filters. Reviewers using an IR72 filter at ISO 12–5 report glowing white foliage and dark dramatic skies, though the effect is more subtle than dedicated IR films like ILFORD SFX 200 or Rollei Infrared 400. Without a filter, it shoots as a standard fine-grain panchromatic B&W film with enhanced contrast and haze-cutting capability. Develops in standard B&W chemistry.
ECN2
REFLX LAB 200T is a 120-format ECN-2 color negative film respooled from Kodak Vision3 5213 (200T) motion picture stock. Tungsten-balanced (3200K) at ISO 200, it retains its rem-jet layer and requires ECN-2 processing. Suited for indoor/artificial light and cinematic daylight work.
BW
Fomapan 200 Creative is a medium-speed panchromatic black-and-white film from Foma Bohemia rated at ISO 200. It uses hexagonal core/shell tabular silver halide grains for fine grain and high resolving power, making it a flexible choice between the classic Fomapan 100 and the faster Fomapan 400.
BW
Ilford Kentmere 200 (Kentmere Pan 200) is a budget-tier ISO 200 black-and-white film from HARMAN Technology. It offers enhanced contrast, well-controlled grain, and good sharpness, bridging the gap between Kentmere 100 and 400 for mixed-light conditions. Available in 35mm, 120, and bulk.