C41
Kodak Portra 400
Kodak Portra 400 is a professional C-41 color negative film known for flexible exposure latitude, natural skin tones, and fine grain.
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The Pentax SF7 is the regional market designation for the camera sold as the SF1 in North America and as the SFX in Europe. All three names refer to the same camera body, introduced in 1987 as Pentax's inaugural autofocus SLR and the launch platform for the KAF (Pentax K Autofocus) mount. The SF7 shares every specification with the SF1: a polycarbonate body, single-point autofocus, a full PASM exposure mode set, a 30s to 1/2000s electronic vertical cloth shutter, and the distinction of being the first SLR of any brand to integrate a pop-up flash in the prism housing. The name variations were commercial decisions for different regional distributors and carry no engineering differences.
Reference
Recommended film stocks for the 35mm format your camera takes.
C41
Kodak Portra 400 is a professional C-41 color negative film known for flexible exposure latitude, natural skin tones, and fine grain.
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Kodak Tri-X 400 is a classic black-and-white film known for strong tonality, visible grain, and documentary character.
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Kodak Gold 200 is a daylight-balanced C-41 color negative film with warm color, moderate grain, and a classic consumer-film look.
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Before you buy used
About this camera
The Asian-market name for the SF1: Pentax's first autofocus SLR, first SLR with a built-in pop-up flash, launching the KAF mount in 1987.
| Field | Value |
|---|
| Format | 35mm |
| Mount | Pentax KAF |
| Years | 1987–~1992 |
| Shutter | 30s – 1/2000s, electronic vertical cloth |
| Flash sync | 1/100s |
| Meter | TTL center-weighted SPD |
| AF | Single-point |
| Modes | P, A, S, M |
| Built-in flash | Yes - pop-up, prism-integrated |
| ISO range | 6–6400 |
| Weight | ~670 g |
| Battery | 1× 2CR5 |
By 1987 Canon and Minolta had already staked out the autofocus SLR market with the T80 (1985), EOS 650 (1987), and Maxxum 7000 (1985). Pentax, whose product strength lay in the manual-focus LX and MX professional and enthusiast bodies and the consumer K1000, needed an autofocus platform to remain commercially relevant. The SF1/SF7/SFX was that platform.
The new KAF mount added electrical contacts to the proven Pentax K bayonet, allowing motorized in-body autofocus while retaining backward mount compatibility with the large installed base of K, KA, and M lenses for manual-focus operation. The single-point phase-detection AF system was comparatively slow against Minolta's MAXXUM system but functional, and the full PASM modes made the body suitable for enthusiast use beyond point-and-shoot operation.
The built-in pop-up flash was the SF platform's most-noted engineering first. Prior SLRs, including Pentax's own, required separate hotshoe flash units. Integrating the flash into the prism housing sacrificed some prism volume but produced a significantly more portable system for casual use. The feature became standard on consumer-grade SLRs within a few years across the industry.
The SF7 designation was retired when the SF10 (1988) appeared as a direct successor, offering modest AF and handling improvements on the same KAF platform.
The SF7 (SF1) matters primarily as a historical marker: the moment Pentax entered autofocus SLR production and defined the KAF mount that would carry the company's lens ecosystem through the film era and into the digital SLR era with the K10D and beyond. Every Pentax DSLR sold through the 2010s traces its lens mount lineage directly to this camera.
The integrated pop-up flash is the other significant first. It was a user-experience decision that influenced the entire consumer SLR segment: the idea that a "serious" camera could carry a flash without requiring an accessory became mainstream because the SF1/SF7 proved the concept was commercially viable.
For contemporary film shooters the SF7 offers an accessible entry into the KAF lens ecosystem. KAF and KAF2 glass - including Pentax FA primes and zooms - mounts and autofocuses natively. The trade-offs relative to later KAF bodies are the slow single-point AF, the relatively coarse shutter speed ceiling of 1/2000s, and the 2CR5 battery dependency.
The Pentax KAF mount accepts:
BW
Ilford HP5 Plus is a flexible ISO 400 black-and-white film with classic grain and strong push-processing tolerance.
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Kodak Ektar 100 is a fine-grain C-41 color negative film with saturated color and high sharpness.
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