Rendering profile
- Tags
- AHU, daylight, cinematic, punchy
- Best use cases
- outdoor daylight, golden hour, street
REFLX LAB 320D is an ISO 320 C-41 color negative film in 135 format, respooled from Kodak Vision3 5207 250D with the new AHU (anti-halation undercoat) layer. The AHU eliminates rem-jet while retaining halation control, scratch resistance, and static protection. Best rated at ISO 320 in C-41.
Key specs
Grain
fine
Contrast
punchy-high
Saturation
Unknown
Latitude
wide highlight latitude
REFLX LAB 320D is built on Kodak Vision3 5207 250D motion picture stock featuring Kodak's newer AHU (Anti-Halation Undercoat) formulation, which replaces the traditional rem-jet layer with a gel-based undercoat that survives the C-41 bleach stage, controlling halation and improving scratch resistance without requiring ECN-2 processing. The AHU washes away cleanly during development, leaving no residue. REFLX LAB and community testers recommend a box speed of ISO 320 in C-41 for optimal density, slightly above the 250D baseline. The film delivers the classic Vision3 250D cinematic look: punchy daylight color, warm golden tones at sunset, and excellent highlight latitude. Contrast is higher than Kodak Portra 400 in daylight; sharpness slightly lower.
ECN2
REFLX LAB 200T is a 120-format ECN-2 color negative film respooled from Kodak Vision3 5213 (200T) motion picture stock. Tungsten-balanced (3200K) at ISO 200, it retains its rem-jet layer and requires ECN-2 processing. Suited for indoor/artificial light and cinematic daylight work.
ECN2
REFLX LAB 500T is a 120/220-format ECN-2 color negative film respooled from Kodak Vision3 5219 (500T) motion picture stock. Tungsten-balanced (3200K) at ISO 500, rem-jet retained, ECN-2 required. Ideal for low-light indoor/studio work and cinematic medium-format photography.
ECN2
REFLX LAB 50D is a 120-format ECN-2 color negative film respooled from Kodak Vision3 5203 (50D) motion picture stock. Daylight-balanced (5500K) at ISO 50, rem-jet retained, ECN-2 required. Known for the world's finest grain in a cinema emulsion and exceptional sharpness.