Rendering profile
- Tags
- tungsten, high-speed, push-friendly, C-41
- Best use cases
- indoor artificial light, nighttime, low-light street, concert
REFLX LAB 800T is an ISO 800 C-41 color negative film in 135 format, respooled from Kodak Vision3 5219 (500T) with the rem-jet removed and rated at ISO 800. Tungsten-balanced (3200K), C-41 compatible, pushable to ISO 3200. Suited for low-light and nighttime photography without requiring ECN-2.
Key specs
Grain
medium
Contrast
medium
Saturation
Unknown
Latitude
wide highlight latitude
REFLX LAB 800T takes Kodak Vision3 5219 (500T) motion picture film, removes the rem-jet layer, and rates it at ISO 800 for C-41 processing—effectively a two-step push over native ISO 500. This makes it accessible to any standard C-41 lab. The tungsten balance (3200K) produces cool/blue tones under daylight without an 85B correction filter; under artificial tungsten light, colors render accurately. Community reviewers note the film can be further pushed to ISO 3200 (two additional stops beyond box speed) with acceptable results and increased grain. The Vision3 5219 emulsion provides wide highlight latitude regardless of ISO setting. Distinct from REFLX LAB 500T in that it is C-41 processable (rem-jet removed) and optimized for higher EI.
C41
REFLX LAB 250 is an ISO 250 C-41 color negative film in 135 format, respooled from Kodak Vision3 5207 (250D) with the rem-jet removed, allowing C-41 processing. Daylight balanced, it is a sister product to REFLX LAB 320D (which retains the AHU layer) and delivers the cinematic Vision3 250D look in standard labs.
C41
REFLX LAB 400D is an ISO 400 C-41 color negative film in 135 format, respooled from Kodak Vision3 5207 250D with the rem-jet removed. Despite the '400D' name, the underlying emulsion is 250D; the faster ISO rating reflects the rem-jet removal and C-41 processing adaptation. Delivers punchy cinematic daylight color.
C41
REFLX LAB PRO100 is an ISO 100 C-41 color negative film in 120/220 medium format, respooled from Kodak Aerocolor IV 2460 aerial film. Daylight-balanced, it emphasizes reds, greens, and browns, and can be pushed to ISO 800 or cross-processed in E-6. Originally an aerial film, it offers fine grain and high resolving power.