Rendering profile
- Tags
- daylight, fuji-palette, ECN-2-only, cine-stock
- Best use cases
- outdoor daylight, portrait, landscape
REFLX LAB F-64D is an ISO 50 ECN-2 color negative film in 135 format, respooled from well-preserved Fujifilm F-64D motion picture stock (discontinued 2013). Daylight-balanced (5500K), rem-jet retained, ECN-2 required. Same emulsion used in The King's Speech.
Key specs
Grain
fine
Contrast
medium
Saturation
Unknown
Latitude
moderate-wide
REFLX LAB F-64D is sourced from preserved Fujifilm F-64D (FujiColor F-64D) motion picture stock—a daylight-balanced ISO 64 cine emulsion Fujifilm discontinued in 2013. REFLX LAB rates it at ISO 50 and packages it in 135/36 cassettes with rem-jet intact, requiring ECN-2 processing. The Fujifilm F-64D stock is notable for its fine grain, vivid daylight color rendering with a characteristically Fuji palette (slight green bias, sharp skin tones), and was used on the production of the Academy Award-winning film The King's Speech. As a finite-supply respool from preserved old stock, availability may be limited. Not based on Kodak Vision3 unlike most REFLX LAB ECN-2 offerings.
ECN2
REFLX LAB 50D is a 120-format ECN-2 color negative film respooled from Kodak Vision3 5203 (50D) motion picture stock. Daylight-balanced (5500K) at ISO 50, rem-jet retained, ECN-2 required. Known for the world's finest grain in a cinema emulsion and exceptional sharpness.
ECN2
REFLX LAB 200T is a 120-format ECN-2 color negative film respooled from Kodak Vision3 5213 (200T) motion picture stock. Tungsten-balanced (3200K) at ISO 200, it retains its rem-jet layer and requires ECN-2 processing. Suited for indoor/artificial light and cinematic daylight work.
ECN2
REFLX LAB 320D is an ISO 320 C-41 color negative film in 135 format, respooled from Kodak Vision3 5207 250D with the new AHU (anti-halation undercoat) layer. The AHU eliminates rem-jet while retaining halation control, scratch resistance, and static protection. Best rated at ISO 320 in C-41.